This article needs additional citations for verification .(October 2017) |
"Big Boy" Teddy Edwards was an American blues musician, from the United States, who recorded 23 songs from 1930 to 1936. Edwards was active in the Chicago area of the United States. There is very little biographical information published on Edwards' life.
Edwards played the tiple, a ten-stringed instrument, and was the only recorded blues tiple player during the period he was active. Edwards was also proficient on the guitar. [1] Contemporary blues musician Big Bill Broonzy recalled working with Edwards, as well as Edwards working with Papa Charlie Jackson. Prolific session pianist Black Bob also recorded with Edwards on several of his later records. [2] Edwards' song "Louise", recorded in 1934, was covered by Broonzy as "Louise Louise Blues". [3]
Between 1930 and 1936, Edwards recorded 23 songs for the Vocalion, [4] Melotone, [5] Bluebird, [6] Brunswick, [7] and Decca [8] record labels. Edwards was given several pseudonyms by the record companies that issued his recordings; these included "Teddy Edwards", ""Big Boy" Teddy Edwards", and "Eddy Teddy". Edwards' 1930 and 1931 records differ from his later output, singing with a simple tiple accompaniment. All of Edwards' sessions after this show him in a band setting with more of a pop music style, being accompanied by Big Bill Broonzy, Black Bob, and others.
Recorded July 21, 1930
Recorded September 19, 1930
Recorded December 12, 1930
Recorded February 4, 1931
Recorded June 14, 1934
Recorded October 18, 1934
Recorded October 24, 1934
Recorded May 15, 1936
Banner Records was an American record company and label in the 1920s and 1930s. It was created primarily for the S.S. Kresge Company, though it was employed as a budget label in other discount stores.
"How High the Moon" is a jazz standard with lyrics by Nancy Hamilton and music by Morgan Lewis. It was first featured in the 1940 Broadway revue Two for the Show, where it was sung by Alfred Drake and Frances Comstock. In Two for the Show, this was a rare serious moment in an otherwise humorous revue.
"Love Me or Leave Me" is a popular song written in 1928 by Walter Donaldson with lyrics by Gus Kahn. The song was introduced in the Broadway musical comedy Whoopee!, which opened in December 1928. Ruth Etting's performance of the song was so popular that she was also given the song to sing in the play Simple Simon, which opened in February 1930.
"I'll Take You Home Again, Kathleen" is a popular song written by Thomas Paine Westendorf (1848–1923) in 1875.. In spite of its German-American origins, it is widely mistaken to be an Irish ballad.
This is a list of notable events in country music that took place in the year 1949.
This is a list of notable events in country music that took place in the year 1942.
"Imagination" is a popular song with music written by Jimmy Van Heusen and the lyrics by Johnny Burke. The song was first published in 1940. The two best-selling versions were recorded by the orchestras of Glenn Miller and Tommy Dorsey in 1940.
"The Nearness of You" is a popular song written in 1937 by Hoagy Carmichael with lyrics by Ned Washington. Intended for an unproduced Paramount film titled Romance In The Rough, the studio's publishing division Famous Music reregistered and published the song in 1940. It was first recorded by Chick Bullock and his Orchestra on Vocalion. Despite numerous accounts to the contrary, the song was never scheduled for and does not appear in the 1938 Paramount film Romance in the Dark.
This is a list of notable events in country music that took place in the year 1938.
This is a list of notable events in country music that took place in the year 1937.
This is a list of notable events in country music that took place in the year 1936.
This is a list of notable events in country music that took place in the year 1935.
This is a list of notable events in country music that took place in the year 1934.
Teddy Hill was an American big band leader and the manager of Minton's Playhouse, a seminal jazz club in Harlem. He played a variety of instruments, including drums, clarinet, soprano and tenor saxophone.
"Mexicali Rose" is a popular song composed by bandleader and pianist Jack Breckenridge Tenney in the early 1920s, when he and his seven piece orchestra played the hotels and clubs of the Calexico and Mexicali border. The song became a hit in the mid-1930s, thanks to Gene Autry and Bing Crosby, around the same time that Tenney became a lawyer and was elected to the California State Assembly. Tenney was later appointed to head of the California Senate Factfinding Subcommittee on Un-American Activities.
"I'm Always Chasing Rainbows" is a popular Vaudeville song. The music is credited to Harry Carroll, but the melody is adapted from Fantaisie-Impromptu by Frédéric Chopin. The lyrics were written by Joseph McCarthy, and the song was published in 1917. It was introduced in the Broadway show Oh, Look! which opened in March 1918. The song was sung in the show by the Dolly Sisters. Judy Garland sang it in the 1941 film Ziegfeld Girl. It was subsequently sung by Jack Oakie in the 1944 film The Merry Monahans and was again featured in the 1945 film The Dolly Sisters, where it was sung by John Payne. It was also included for part of the run of the 1973 revival of Irene. Additionally, the pre-chorus would not have been included until later covers in the 1940s, where the song would gain it's iconic libretti.
"Darktown Strutters' Ball" is a popular song by Shelton Brooks, published in 1917. The song has been recorded many times and is considered a popular and jazz standard. There are many variations of the title, including "At the Darktown Strutters' Ball", "The Darktown Strutters' Ball", and just "Strutters' Ball".
"Early in the Morning" is a blues song that was recorded by Sonny Boy Williamson I in 1937. Identified as one of his most successful and influential tunes, it was inspired by earlier blues songs. "Early in the Morning" has been recorded by various musicians, including Junior Wells, who made it part of his repertoire.
This is a discography of the Carter Family—Sara Carter, her husband A.P. Carter, and their sister-in-law Maybelle Carter—often cited as "the most influential group in country music history":
"Kid" Prince Moore was an American blues musician, from the United States, who recorded 17 songs from 1936 to 1938. Moore played in a Piedmont blues style, similar to that of Blind Blake. Moore also recorded two Gospel Music tracks, "Church Bells" and "Sign of Judgement". Moore also accompanied blues pianist Shorty Bob Parker on six of his own tracks. Bruce Bastin, in his book Red River Blues: The Blues Tradition in the Southeast, suggested that Moore may have come from the Carolinas but as of 2024 virtually nothing is known of Moore's life.